Black Sabbath In The Studio For 'Paranoid' 55th Anniversary

The 55th anniversary of Black Sabbath's landmark "Paranoid" album is being celebrated by the syndicated radio show In The Studio With Redbeard: The Stories Behind History's Greatest Rock Bands.

Redbeard shared this synopsis for the episode: With the fifty-fifth anniversary of Black Sabbath's second album, Paranoid, coming so quckly after the death of original lead singer Ozzy Osbourne, it has been touching and heartwarming to read the tributes from fans as well as today's biggest musicians come pouring in. But here's the most important thing missing from practically all of these tributes: Ozzy & Black Sabbath were pariahs, even among the rock music critics and fans, pretty much universally...for two decades. First they were simply ignored in hopes that they would simply go away, like a stray junkyard dog that follows you home. Then when the underground sales of Black Sabbath albums grew to a point where they could no longer be easily dismissed, they were denigrated by rock critics and vilified by the mainstream press.

In February 1970 the world into which the Birmingham England band Black Sabbath gained notoriety with Black Sabbath, and quickly rose to popularity with their second album, Paranoid later that year, felt increasingly like a dangerous place. It seemed that time was marked, and US policy formulated, by a seemingly endless stream of violent acts, including assassinations, bombings, race riots, the slaughter of college students on the Kent State campus, and the almost decade-long Viet Nam War. And all of this violence was set against the pernicious, incessant white noise of the nuclear arms race between the U.S. and Soviet Union in a thermonuclear game of "chicken". Black Sabbath's sound and subjects, which would be lampooned as cartoonish by most critics then, were forged as much by these deadly concerns as by Animal House debauchery.

While many music critics were not hesitant to slag off every Black Sabbath release beginning with their debut in early 1970, it became the band's first gold record in America. Yet many detractors who had watched Bela Lugosi, Boris Karloff, Vincent Price, and Lon Chaney in such classic scary movies as Dracula and Frankenstein, nevertheless felt that Black Sabbath's fantasy deadpan doomsday warnings on Paranoid and Masters of Reality, in such songs as "Iron Man","War Pigs", and "Children of the Grave", were somehow a Marshall amplifier too far. Even my 17-year old ears could hear the dramatic strides that the "underground' hardscrabble British band had made on their sophomore effort Paranoid only six months after their debut. In my interview, original Black Sabbath singer Ozzy Osbourne has fond memories of those days when he and his mates from the working-class neighborhood Aston decided to ditch their trendy blues music, cut the band down from a 6-piece to four, and started doing what Ozzy characterizes in this classic rock interview as "spooky music". Little did they know that fifty-five years later we'd be marking the release of the album that defined a whole new genre, Heavy Metal. Reportedly Black Sabbath performed their final show in January 2016 in their Birmingham England home, but remember that this band has said goodbye more often than the Von Trapp Family Singers.

Stream the episode here

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